(2008) It Grows In Winter and Other Poems. (Trenton, NJ: Africa
World Press)
(2007) The New Toyi
Toyi (play) (Trenton, NJ:
Africa World Press)(1996)
(1996)He Wants To Marry
Me Again and Other Stories (Ibadan:
Kraftgriots).
(1996. The Lion And The Iroko (Ibadan:
Kraftgriots).
(1996)
From Earth’s Bed Chamber: A Collection of Poems
(Ibadan:
Kraftgriots).
(1996)
Campus Palavar and Other Plays (Ibadan: Kraftgriots).
Journal Articles and Chapter
Contributions In
Books
(2009). “Female Power: Corner Stone or Central Subject in
Igbo Mask Performance.” Emergent Themes and Methods in African
Studies: Essays in Honor of Adiele Eberechukwu Afigbo Ed., Falola,
T and Adam Paddock. No compensation.(Trenton: Africa
World Press): 431-446
(2008)
“Militant Femininity in Southern African Poetry: A Discussion of
Selected Poems by Micere Mugo and Gladys Thomas.” In Power and
Nationalism. Ed., Falola, Toyin and S. Hassan (Durham:
Carolina
Academic Press), pp. 435-450.
(2007)
“Global encounters: Barbie in Nigerian Agbogho-mmuo mask context.” Journal of African Cultural Studies. Vol. 19,
No. 1. 37-54.
(2006) “Female Power: Corner Stone or Central Subject in
Igbo Mask Performance.” Accepted for publication in a book, A Survey of Igbo Nation edited by G. E. K. Ofomata (University of Nigeria, Nsukka).
(2003)
"Location
and Separateness in African and African-American Drama...” Postcolonial Perspective on Women Writers from Africa, the
Caribbean,
and the US.
Ed., Japtok, Martin (Trenton: Africa
World Press), pp. 319-343.
(2002)
“La Litterature africaine et
le beauvoirisme: example d’ ‘action’ de femmes et
d’ecrivaines” In Delphy, Christine and Sylvia Chaperon, Cinquantenaire Du Deuxieme Sexe (Paris: Syllepse), pp. 259-268.
(2001)“Beyond Child Abuse.”In Eye to Eye: Women Practicing Development
Across Cultures. Ed. Schench, Celeste,
and Susan Perry (London:
Zed Press), pp. 259-276.
(2001)“Ogini’s Choice: A Novella in Ten
parts.” Englishes: Literature Inglesi Contemporanee.
No 15 ANNO 5, pp. 105-139.
(2000)
“Ogini’s Choice,” Also published In The
Quest For Democracy: Writings on Nigerian Literature in English. Ed.Rosati, F. (Pescara, Italy:
Libreria Dell’Universita Editrice), pp. 199-237.
(1998) “Vincent Chukwuemeka Ike” In Postcolonial
African Writers: A
Bio-Bibliographical Critical Sourcebook. Ed. Parekh, Pushpa and
Siga Jagne
(Westport: Greenwood),
pp. 221-227.
(1998)
“Festus Ikhuoria Ojeaka Iyayi.” In Postcolonial
African Writers: A Bio-Bibliographical CriticalSourcebook.
Ed. Parekh, Pushpa and Siga Jagne (Westport:
Greenwood),
pp.
234-240
(1997)
“Gender Politics in West African Mask Performance.” Writing African Women: Gender, Popular Culture and Literature
in West Africa. Ed. Newell,
Stephanie (London:
Zed Books), pp. 157‑169.
(1997)
“Rewriting Popular Myths of Female Subordination: Selected
Stories by Theodora
Adimora‑Ezeigbo and May Ifeoma Nwoye.”Writing West African Women:
Gender, Popular
Culture and Literature in West Africa.
Ed.
Newell, Stephanie (London:
Zed Books), pp. 81-94.
(1996)
“The Dramatization of Heroism in Igbo Festivals.” UNISWA Research Journal (Univ. of Swaziland),
Vol. 10, pp. 56‑68.
(1996)
"Theatrical Negotiation of Transformation in No More The
Wasted Breed." Femi
Osofisan: Interpretative EssaysI.
Ed. Awodiya, Muyiwa (Ibadan: Kraft Books), pp. 119-128.
(1995)
“Bus Ride With Madam Osaigbovo.” A Story in The
Potter and Other Stories (Ibadan:
African Studies Publication), pp. 39-51.
(1994) “Theatrical Construction Of Trial As A
Technique in The Trial of Dedan Kimathi." JMLAN:
A Publication of the Modern
Languages Association of Nigeria,
Vol. 2, pp. 58‑64.
(1994)
"From the Heart of Masculinity: Ogbodo Uke Women's Masking." Research in African Literatures (The OhioStateUniversity),
Vol. 25, No.
4, pp. 7‑17.
(1993)
"A Comparative Study of J. P. Clark's The
Masquerade and Efua Sutherland's Foriwa." Commonwealth: Essays and Studies (Universite de Bourgogne, France), Vo l. 16, No. 1.,
pp 89‑95.
(1993)
"Review of Gods, Oracles, and
Divinations by Kalu Ogba." Research
in African Literatures (The OhioStateUniversity),
Vol. 24, No. 1, pp. 129‑132.
(1992)
"Power and Empowerment in African Mask Performance." Africa
Notes (CornellUniversity),
pp. 8‑9.
(1992) "The Rejected Corner Stone: Women
In Igbo Mask Theater." Africana
Studies and ResearchCenter Newsletter (CornellUniversity),
Vol. 4, No. 1, pp. 19‑23, and
27‑31.
(1992)
"The Search for Gold Finger." Short Story in The Literary
Review (FairleighDickinsonUniversity),
Vol. 34, No. 4, pp. 551-553.
(1991)
“Behind the Inscrutable Wonder: The Dramaturgy of the Mask
Performer in
Traditional African Society.” Research In
African Literatures (The OhioStateUniversity),
Vol. 22, No. 4. pp. 39-52.
(1990) “: The
Man,
the Playwright, and the producer on the Nigerian Theater Scene.” World Literature TodayWinter(1990):24-29.
(1989)
"Of Spooks and Virile Men: Patterns of Response to Imperialism in Sizwe Bansi is Dead and The Trial of Dedan
Kimathi." Commonwealth: Essays and Studies (Universite de Bourgogne, France), Vol. 2, pp.
87‑93.
Amankulor,
J. N. and Okafor, Chinyere G. (1988) "Continuity and Change in
Traditional
Nigerian Theatre among the Igbo in the Era of Colonial Politics." Ufahamu (University
of California, LA),
Vol. 26, No. 3, pp. 35‑50.
Okafor,
Chinyere G. (1986)
"Aro Diaspora: A Cultural and Historical Overview." Arochukwu
History and Culture. Ed.
Ijoma,J. O. (Enugu: Fourth Dimension), pp.
113‑137.
(1986)
"Ama Ata Aidoo: Anowa" Okike: Educational Supplement,
No. 4., pp. 137‑146.
(1983)
"Creating Awareness through Shock Drama: The Example of Osofisan's Four
Robbers." Journal of Nigerian
Theatre Artistes, Vol. I, No. 1., pp. 9‑16.
(1981) "A Woman Is Not A Stone but A
Human Being: Women in the Plays of Aidoo and Sutherland." Medium
and Message (University
of Calabar),
Vol. 1, pp. 165-177.
(1980)
"Parallelism versus Influence in African Literature...." Kiabara:
Journal of Humanities (University
of Port‑Harcourt),
Vol. 1, pp. 113‑131.
Other works and
compositions
(2006)
“Terrible Beauty of Masks From Around the
World.” Review of MASKS from Around the
World by Garth Darl. Vancouver: GranvilleIsland
Publishing
(20003)
“Gazing At Wide Country.” Poetry and Prose In National
Association of Women
writers Weekly, September 15.
(2001) “Foreword.” Achebe
the Orator by Chinwe Christianan Okechukwu. Westport:
Greenwood
press, 2001. Not refereed. No compensation.
(2001) “Sire That
Yells,” “One Nation,” and “One
Tough Head.” In Englishes:Literature
Inglesi
Contemporanee (Italy),
No 15 ANNO 5,pp. 103-104.
(2001) Eight
Poems published in the “Arts and Columns” section of The
Maine Progressive: a
Journal of Politics and Culture.
<http://www.maineprogressive.org/022002/other_poems.html>
(2000) “Millenium
Note”with republication of“Sire That Yells,” “One
Nation,” “One
ToughHead.” In Englishes:
Literature Inglesi Contemporanee (Italy), No 10
ANNO 4,pp. 38-40
(1999)
“Chains of Light,” and “My Love Grows in
Winter.” TurfWRITE: A Creative Writing Journal. (South Africa). Vol. 2, pp.
102-103.
(1997)
“Umsenge Tree,” and “Forests of Guava.” Weekend
Observer (Swaziland),
p.
10.
(1996)
“Counter Attack,” and “Maliyaduma Veld.”
Poems in Tyume: FortHare Journal of Creative
Writing (South
Africa),
No. 1.
(1994)
“Mother and
Child.” The Evangelist (Nigeria).
December. 2 pages.
1994)
"Potsherds
(for Winnie Mandela)" "Crow After Hen," "For Arthur At
Coronation (on the eve of Mandela's inauguration). Poems in Africa
Update (CCSU African Studies Newsletter, U.S.A.)
No. 3. pp. 6‑7.
“Silver
Cross For
Dundon.,’ “Tribute…” and “Christmas in
the Rains.” Fathers (Periodical Magazine) (Nigeria).
(1993)
"Colors of
My Country," "From Charles, the Cloths‑Maker," and “Forced
Festival." Poems in Images: The
Scholar's Release (Salisbury,
U.S.A.),
2: 1‑3,
pp. 26‑27.
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